Clare Gaylard Artisan Glass 

Preparations underway in London, one of my favourite times of year when we lived in Asia. The drums and the lions particularly.

An eccentric blend of things, docked in Ipswich until mid-Feb. The exterior is half-biblical scale and is simple and monumental. The interior however, is a wild mixture of collectors finds thrown in or aligned with tableaus of bible scenes. Intriguingly the bedroom (and vast unma...

Vessel and totem.

I've never been to Mexico, or in fact the Americas - it's all been in the other direction from the UK with New Zealand being the back stop. So the Mexican Gallery at the British Museum delivers something remarkable. These artefacts, so far out of the context of time and place, stil...

The fragment of Amethyst Geode at the centre of these images (and a lovely commission) was the seed of my exploration in glass shown around it, and more. I love a microcosm, and this journey was all the more pleasing for having been unplanned. There was a moment post-commission when I could have cleared the colours off my workbench and reverted to prior plans and chose not to. Now the trick is knowing when to stop.

Some of the smaller rings I've been making, the narrowest ones stack beautifully and have a slightly underwater quality.

I'm vacillating (on a daily basis) between needing vibrant colour or being drawn into the washed out, bleached nature in the fields and garden.

This was the commission that led me astray on an ivory and amethyst colourway towards the end of last year. There is always a tension between following well-laid plans and taking a tangent, I'm happy that I cleared my workbench for this and all that ensued, but I still have business to do with water and bright colour. Plus whatever 2020 brings.

All the best for the turn of another decade and thank you for coming by. Health, abundance and happiness for 2020. Thanks to temporary resident Liz Gaylard for making time to take some of the better photos (six out of nine here) amidst personal, creative projects.

To those that celebrate, I thought I'd posted this. An old collage (lovely George Herbert and the Metaphysical poets in general) and this years wreath looking very nest-like due to needing to use ivy as a binding agent.

Colour and gold-leaf being particularly attractive on these grey days. Thanks to everyone who came by my studio and you can find my work at The Sentinel Gallery & Great Walsingham Gallery and Frame this December.

Sunday 15th December 11am - 3pm, at Flameworks, Unit 2 Yew Tree Court, 21 Framlingham Rd, Earl Soham, Suffolk, IP13 7SG

Thanks to everyone who came by and re-visited. I'm finalising a date for a winter Open Studio as folks have things to collect and have made requests to come by, I should be able to post a time later today. I'd hoped to elide the matter as it has been a very busy winter but it's good to be able to say: By popular demand....

It's my second (and last) weekend at Blackthorpe Barn: Best of British Crafts. A terrible temptation to barter everything away for work of other Makers. This photo and (probably) any other beautiful ones of late are by Liz Gaylard.

One of my totems: Amethyst Lake, off to this beautiful gallery in North Norfolk - I have finally found a local woodturner to make me stands that I am happy with. On the left you can see how it can be deconstructed into wearable parts. 

Some of my more marble-like rings, glowing in the early afternoon, setting sun.

Find a range of my Terra Firma glass and Waves at the Sentinel Gallery 'Christmas Kaleidoscope' opening today in lovely Wivenhoe in Essex.